Thursday, September 22, 2011
My initial reaction to "Death of a Turtle"
Now that we're all lovely jubbly and released, I can reveal this video showing my initial reaction upon hearing Sam and Julian's song product over my "Chelonia mydas" backing track. At the time I was unaware of Sam Berry's contribution, so I'm sorry for not mentioning it then. The video is sort of funny. I hope you like it. Towards the end I look a bit serious, but I was only concentrating. I really liked it and now I love it.
Monday, September 5, 2011
Just finished my Kakapo vocals!
I had a pretty tough time writing melodies for this one -- and the one melody I really liked turned out to be way too high for me to sing, so I made up something else on the spot. I tried to resist adding background vocals, but to no avail -- I did, however, manage to keep the focus on one main vocal line which was mostly unprocessed. I know Barney wanted a more "live" type vocal, and for the most part I used big chunks of 2 or 3 takes. So I was somewhat successful there.
As for the lyrics...pretty soon after I was researching the Kakapo, I discovered that there are only around 86 left, and all of them have names. I knew that was my angle right away. I came up with the idea of a kakapo family reunion, having just attended a family reunion of my own. Then I added some half-clever bits about regurgitation and mating calls. I did procrastinate a bit on the lyrics so I wish I had some more time to tweak them, but overall I think most of it works pretty well.
I finally got to use my new mic on this recording, too...I don't hear a huge difference from my last one, but hopefully it sounds good to you guys!
I had a pretty tough time writing melodies for this one -- and the one melody I really liked turned out to be way too high for me to sing, so I made up something else on the spot. I tried to resist adding background vocals, but to no avail -- I did, however, manage to keep the focus on one main vocal line which was mostly unprocessed. I know Barney wanted a more "live" type vocal, and for the most part I used big chunks of 2 or 3 takes. So I was somewhat successful there.
As for the lyrics...pretty soon after I was researching the Kakapo, I discovered that there are only around 86 left, and all of them have names. I knew that was my angle right away. I came up with the idea of a kakapo family reunion, having just attended a family reunion of my own. Then I added some half-clever bits about regurgitation and mating calls. I did procrastinate a bit on the lyrics so I wish I had some more time to tweak them, but overall I think most of it works pretty well.
I finally got to use my new mic on this recording, too...I don't hear a huge difference from my last one, but hopefully it sounds good to you guys!
Wednesday, August 17, 2011
The Circle Of Life
Well that was a lot of fun. Where do you start with the axolotl? In talking to Will Betts who provided the backing track he let slip that the name is derived from a Mexican deity. Bingo I thought. A quick word with Mexican deity afficianado Birdman's Nick and I was led to a short story about the Axolotl by Julio Cortazar. You can read it online if you're interested, it's a cracker. Anyway, without giving the story away, the song follows the main premise of the short. I think the finished track with all its inherent subtleties works in its own right but listeners will find new and exciting hidden depths by first reading Cortazar's choral catalyst. Enjoy! For those interested, due to constraints the writing recording and mixing process had to fit into 2, 2 hour sessions. Cramming like this was an absolute blast and led to some creative ideas which may have otherwise slept in the dark caves of the Jardin des Plantes, Paris.
Monday, August 15, 2011
So long and thanks for all the fishing...
SPOILER ALERT: lyrics provided at bottom of post.
I am the living fossil discovered in a lump of rock the year the bicycle was born.
And I am the Lazarus taxon. You thought that I'd expired 80 million years ago,
but you were wrong.
A hundred years later I was hauled up from my underwater home.
The Paleozoic's been good to me,
and every age from then to now has let me be.
Oh, you don't know what you're missing.
I've got a hinged skull and a hollow spine.
Before you came along I was doing fine.
Well this may be your last chance to see...
So long and thanks for all the fishing.
I am an eco-warrior. Sleeping in the cold caves helps to conserve energy.
And I use my lobed fins to drift the currents when I need to feed.
You could learn a thing or two from me.
Well the Paleozoic was good to me,
and the late Cretaceous failed to put an end to my tree.
Oh, there's been some hard times it's true.
But now the sun is setting on the Chalumnae line.
If you fish us from existence will it weigh on your mind?
These pre-historic creatures are one helluva find.
So long and thank you.
Just think, I was the missing link
between the fishes and the creatures who emerged from the drink,
until a young museum curator discovered me
among the catch of the day of the trawler Nerine.
I'm not pretty to look at, not good to eat.
I can sometimes reach the mighty length of five or six feet.
The fishing boats snag me accidentally.
They used to throw me right back, but that's before they knew me.
You see, every damned collector wants to put me in glass,
tour me round the world - yeah, make some good cash.
The thing that made me such a curiosity
will result in my extinction eventually.
It makes me wonder how many others are just like me -
assumed to be extinct but really just out of reach.
Now this really is your last chance to see.
So long and thanks for all the fishing.
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Wednesday, August 3, 2011
The Lazarus Fish
I'm flying to the US tomorrow and so I've been scrambling to write the song and sing the vocals to go with Mike Weber's excellent Coelacanth track. I don't want to lug recording equipment around in suitcases. Well, I got the lyrics done Monday with a few tweaks occurring yesterday. I think they're pretty good. At any rate, it was the best I could do in the available time. I did a bunch of recording over the last couple nights and I'll do some more tonight, but I nearly have all the tracks I need. Then when I'm away I can do the mixing almost at leisure. Still plenty of time. I haven't decided on a title yet, but it may feature the Lazarus reference. I'm chuffed that I've managed to get in some Douglas Adams. The choruses finish with "...last chance to see. So long and thanks for all the fishing." :)
Wednesday, July 13, 2011
It is also not easy to be Purple.
Just uploaded my Purple Frog backing track.
For whatever reason, as soon as I heard we were starting up again, I became determined to write a J-Pop track. Well, not J-Pop exactly, as I looked up some J-Pop and it sounds nothing like what I did. I've just been playing a lot of Sonic the Hedgehog, and wanted to do something like THAT. I especially loved the music in Sonic Adventure...it's all about speed but it's very colorful at the same time (also why I picked a "colorful" animal). I've always been a fan of those really cheesy high-pitched bells that are all over Japanese game music. They also usually have hyper-quantized, hyper-produced drums, so that's what I tried to start with.
I really tried to spend some more time mixing this one than usual, but I'm not sure how much it shows. I just can't seem to push my recordings over the edge into "pro" territory...there's always something missing that I can't put my finger on. I am definitely still improving but...slowly. It doesn't help that I usually choose very dense genres rather than just focusing on a couple instruments...maybe that will be the plan for next time.
Anyways, hope you all enjoy the track!
Dan
For whatever reason, as soon as I heard we were starting up again, I became determined to write a J-Pop track. Well, not J-Pop exactly, as I looked up some J-Pop and it sounds nothing like what I did. I've just been playing a lot of Sonic the Hedgehog, and wanted to do something like THAT. I especially loved the music in Sonic Adventure...it's all about speed but it's very colorful at the same time (also why I picked a "colorful" animal). I've always been a fan of those really cheesy high-pitched bells that are all over Japanese game music. They also usually have hyper-quantized, hyper-produced drums, so that's what I tried to start with.
I really tried to spend some more time mixing this one than usual, but I'm not sure how much it shows. I just can't seem to push my recordings over the edge into "pro" territory...there's always something missing that I can't put my finger on. I am definitely still improving but...slowly. It doesn't help that I usually choose very dense genres rather than just focusing on a couple instruments...maybe that will be the plan for next time.
Anyways, hope you all enjoy the track!
Dan
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